There’s room for another element, one that’s embedded in the gameplay. The world feels almost complete, but not quite. The music is nostalgic, working to bring back memories of the America that gave us Jello molds for dinner and the nuclear bomb. The settlements are familiar, both because they’re built around landmarks and because they seem like modern tent camps. Streets are filled with threats, in the form of mutated animals and desperate humans. From the moment players first leave Vault 101, they’re immersed in a world defined by a vaguely familiar, if irradiated, culture with different logic.
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